The most crucial aspect of pro wrestlings salability its television is explored The man who wrote WWE television beside Vince McMahon and Pat Patterson for years JJ Dillon s us to explore the art and science of writing wrestling television We gave JJ a fictional payperview supercard from the early 90s era and gave him one month of TV with which to advance the angles See how JJ uses the weekly A and B shows as well as a Saturday Night Network Special to build up to the payperview at months end He then books the results of that big card When should a runin be employed How to use promos and packages How does one choose a TV arena What does it mean politically if Wrestler A makes the save for Wrestler B on TV JJ shows us how to use just the right amount of exposure fangles for a most effective buildup The bookers job doesnt end there as we hear about the very delicate practice of employing diplomacy in dealing with the big egosTV time equation
